"...We wish you the merriest, the merriest, the merriest, the merriest..... New Year!..." -

For this Les Brown composition, "We Wish You The Merriest," Frank enjoys the additional voices of brother and sister team and good friends, Father Charles and Laurie Mangano as they blend voices in this rousing, straight-ahead swing tune. The song is flavored by the trumpet sounds of Glenn Drewes, talented Tony Tedesco on the drums, and Palma, who is playing and singing, and who arranged this fun, swinging Christmas song. This one is a duet with Frank and Fr. Charles, and it has the outstanding vocal embellishments of both Laurie and Palma.

(top photo:Frank Rendo - second photo, Laurie Mangano & Frank Rendo) - Tony Tedesco really "cooks" on this one, as only he can. His touch is so great on everything I've ever heard him on - never trying to be a "showy" player, rather Tedesco is a "tasteful" player. His work is so well executed. (pictured: Tony Tedesco).

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Glenn Drewes basically plays several different trumpet parts - all with himself. His overdubbing makes him sound like an entire trumpet section, and that, in part, is due to the amazing engineering of Tiki Recording Studio's owner, Fred Guarino. Drewes' work is executed masterfully - each part incredibly in-sync with the next, and the next, and the next!!! Nicely done, Glenn. (pictured: Glenn Drewes & Fred Guarino)

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Palma adds a lot of spice to this one, as well. First, her arrangement is stellar - what can I tell you? The woman "swings." There are several parts being sung by several people - some are singing the melody line while others sing harmony to that melody line. Yet others are singing counter-melodies in harmony; perhaps a shoobie-doo or maybe a doo-wah here and there. The song just swings and so does everyone involved!

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So, how do I describe it? The way it's arranged, it's a very vocally layered song. It builds dynamically as the vocal layers are added as this passage is sung: "...We wish you the merriest, the merriest, the merriest, the merriest New Year..."

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Instrumentally, as the song starts, we hear the drums, a bit of rhythm guitar, and the dynamics of the trumpet(s), along with those great vocals.

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As I said, this song is really a duet between Frank and Father Charles. They throw the lines back and forth to each other while Palma and Laurie add the frills.

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At one point, the song jumps into 3/4 time, and the vocals here are even more playful than before. Some interesting backing vocals that seem to emphasize the time signature change.

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A neighing horse sound (played by Glenn), leads back into the swing feel, and this one goes out after a rousing tag, where again we have a fun build of voice over voice, and a finale that gives this writer a "theatrical" feeling. A well-done, well delivered "fun" song amidst a CD of beautifully sung Christmas ballads, that tell the truly important stories of the birth of Jesus Christ, and His family here on earth. Nicely done, everyone!!!

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It is most difficult for me to choose a favorite on this CD, in a way. That is....there is nothing on this entire compilation that I don't like, or that I would classify as "filler." If I was forced to try and choose a musical favorite, it would have to be the next selection - a Palma Pascale original composition entitled "Much Less Than Christmas."

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This is one of the very first "roughs" that I received in 2006 when Frank and Palm began working together on REMEMBERING CHRISTMAS. I knew then only that Palm had composed it, but few other details. It was also my "introduction" if you will, to the incredible vocal styling of one 'Frank Rendo'! (Also...bit of trivia, here - this track was almost completed when my wife and I visited Long Island in the Fall of 2007...I got to record this song (just for fun) with Frank's track...how generous these people are. Truly, a highlight for me)!

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I know now, that "Much Less Than Christmas" was written in 1973, and was intended, actually, for the Carpenters to record. Awwww....too bad that never happened. Never fear, however - Frank and Palma put a definite Carpenteresque feel to this arrangement, and it is gorgeous. (pictured: Palma Pascale)

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The song is a ballad with a lovely message:

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"....If this is Christmas, why do I feel this? Why don't I look for a tree?

Why does the tinsel seem more artificial than it ever seemed to be?

It's something you wait for all year long....and now that it's here, the feeling's all wrong!

It seems like very much less than Christmas than I have ever known. Than I have ever known..."

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This rubato intro sets the stage for our story pretty clearly, don't you agree? The song is tinged with sadness about the fact that the storyteller is not with the one he loves. (Frank tells me when he introduces the song at a concert... "I tie in the fact that so many of our loved ones are overseas right now involved in military action, much like during WWII, when the great songs of longing where composed...and I liken this one to "I'll Be Home For Christmas," since it has the same feel to me. People parted for whatever reason over the holidays). -

"....If I could be with the one I wait for - Christmas would hold the love that God created it for..."

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A single, soft string, which builds to a nice level, begins the song and that lone string is soon coupled with beautiful electric piano. An oboe enters several measures in, adding a warmth and a color and a celestial sounding harp plucks a lovely arpeggio chord to a dramatic ritard. The rolled cymbal crescendos are a perfect touch of drama, and they enhance the piece, though used sparingly, in all the best spots.

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The beautiful Carpenteresque-sounding backing harmonies really bring the song to life for me. Beautiful ooos and aaahhhs frame brilliantly the perfect vocal of Frank Rendo. Ooofah! He's SO good! Palm incorporates some vox voices into her instrumental mix, and this allows for a real big "choir" effect, which is a cool addition.

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"...If I should buy things, why can't I find things with meaningful thought wrapped inside?

Nothing I'd give or I'd get holds the promise of making me feel satisfied.

This is the time you want to make last...now that it's here, it's going so fast!

And, it feels like very much less than Christmas than I have ever known....."

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The backing vocals are beefed-up as the strings lead us into the bridge, with its thought provoking lyric:

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"...Maybe this is how God feels on His day, when seeing how His people have forgotten Him.

All I know is I'm so low, no matter where I look or go, I can see (ritard) I can touch (ritard more)...but I can't really feel too much..."

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I just LOVE it!!! A well-timed modulation now brings us into our final verse, complete with those outstanding backing harmonies, and a brilliantly executed suspension (you know by now how those suspensions thrill me, when done well - and this one is)! (pictured: Frank Rendo & Palma Pascale)

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"...Not enough wrapping...not enough ribbon to hide what I have in my heart.

How can I open the present I'm missing without tearing myself apart...?"

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(I have to tell you here that that last bit of the lyric is my favorite of this piece - I think Palma writes these lyrics so cleverly).

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I get hit by that proverbial "chill factor" listening to this one. Frank's voice is so perfect for this sort of ballad - he sings it with such warmth and beauty - it seems to just "glow!" The arrangement is stunning and the backing vocals and instrumentation, as always, compliment Franks striking interpretation of this Palma Pascale original.

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"...It feels like very much less than Christmas, and I am SO alone. I wish that you'd come home..."

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Truly, a masterpiece!

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Oh! Alright then, they are, each and every song, a favorite in their own wonderful Christmas style..... okay? Well, I must be honest, cause this next selection is a favorite, as well! (Funny, but I just checked the other writings of REMEMBERING CHRISTMAS, and found that Joseph's Song was my absolute favorite! So see, EACH one is a masterpiece, in and of itself).

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The spectacular SOMEDAY, is next in the line-up. Never were any more beautiful, sweet, perfect lyrics penned to tell this story. It can be performed by either male or female, and the story is as beautiful one way as another.

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Recall "Joseph's Song" - a lovely rendition offered to us by our Mr. Rendo a bit earlier. I'm reminded a bit of it with this piece, because it is told from Joseph's perspective. SOMEDAY is also expertly delivered, and with such emotion...such intense feeling, that it brings that familiar "lump" to my throat and those white-hot tears to my eyes. I have repeatedly told Frank that his intimate reading of this one just grabs, and won't let go! And, there are always tears.

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Palma does this one with a minimal amount of instrumentation. I can hear that the piano has center stage, with cameo appearances by a cello, clarinet, viola, and a flute - each having their own "say" as they enhance the smooth, broken chords being played behind Frank's powerful vocal.  There is, at one point, a beautiful swell of a rolling, crashed cymbal, followed by the entire orchestra of a beautiful choir of strings, emphasizing the storyline so dramatically.  Between the two of these talented individuals, they have arranged this one exquisitely.  

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Sandi Patty has recorded and performed this song, and she, of course, delivers it flawlessly, as per usual. Her interpretation is of course, from Mary's point of view; Frank's from Joseph's perspective. The story goes like this:

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"...Someday, when this night is over...and the star has faded...and the angels fly.

I will look at You with wonder...dreaming of this first night when I heard You cry.

Someday, You'll take your tiny fingers and with just a touch will...will cause the blind to see.

Someday, You will walk with strangers, but tonight I'll rock You....stay a while with me..."

-

A modulation is executed here, then:

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"....Someday, they will call You Savior - hope of all the people...light and life divine.

Someday, you will speak the words and touch the hearts of many, as you now touch mine.

You will speak in love and wisdom...prison doors will open...we all will be set free.

Someday, You will walk among us...but tonight I'll rock you... stay a while with me, my son...

Let me rock you, stay awhile with me..."

-

Oh my goodness, friends - this one will reach into your heart and tug! So poignantly sung by Frank, and so carefully arranged by Palma, this stunning performance, heartfelt and elegantly executed with a rubato feel throughout for maximum effect gives us a look from yet another angle of Mary and Joseph; and it certainly gives me yet a clearer understanding of what might have been going through their minds and hearts on that first Christmas night so long, long ago. -

"...let me rock you..............stay a while with me!..." -

O, HOLY NIGHT - (Cantique de Noel) is a well-known Christmas Carol composed in 1847 by Adolphe Adam, to the French poem "Minuit Chretiens" by Placide Cappeau, a wine merchant and poet. According to Wikipedia, O, HOLY NIGHT has become "a standard modern carol for solo performance, with an operatic finish." It was translated to English in 1855. This particular arrangement is copyrighted by Pasland Music, Inc., Palma's publishing company, since the song itself is considered "Public Domain."

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The carol has been recorded by artists ranging from Bing Crosby to today's "Point of Grace." I think it's safe to say that the majority of artists who perform at Christmas time has undoubtedly sang or played O, HOLY NIGHT at one point or another in their career.

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This song is opulently orchestrated both with instruments and voices, and of course, Frank sings this famous carol with his usual flair. It is stunning, and Frank has no problem reaching those "operatic" notes - seems as easy as 1...2...3! Brilliant!!

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Our next selection, the memorable "God Help The Outcasts" (from the Disney film The Hunchback of Notre Dame) was first heard by Frank when one of his younger vocal students brought it to her voice lesson, wanting to learn it as a solo. It was one of those songs that immediately captured Frank from that very first "hear," as it were. Frank learned the song and incorporated it into his shows as a piano/vocal number.

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Good friend and musical director/partner Palma Pascale knew of Frank's penchant for the song (as he tells me she heard him sing it a LOT)! So, Palm gifted Frank with the remarkably beautiful, fully orchestrated "track" you hear on this CD. What an awesome gift that was!!!

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Frank recalled to me that he sings this song at almost every single concert he performs, no matter what time of year. I asked him specifically why he had included it on this, a Christmas album, and his response was this: "I felt the song had such a universal theme, and such a wonderful Christmas message as well - (this time of year: the homeless, the lost, the hungry...the outcasts) that I decided to put it with this collection."

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Well, BRAVO to you for doing so, Frank! And, big knowing nods to you, Palm. This is not a selection most would be wise enough to include in a Christmas collection, though it certainly works quite well.

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About the actual recording here - Frank's reading is somewhat haunting. I can tell, as the listener, that this is an important message being conveyed - one that comes from the heart and soul of our performer. Frank's "plea" for God to help the outcasts is very much like a fervent prayer - one that is unpretentious, and most important. Following are the full lyrics to this work:

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"...I don't know if You can hear me - or if You're even there.

I don't know if you will listen, to this humble prayer.

They tell me I am just an outcast - I shouldn't speak to You.

Still, I see your face and often wonder....were You an outcast, too?

*

God help the outcasts, hungry from birth - seeking the mercy they don't find on earth.

The lost and forgotten, they look to You, still. God, help the outcasts, or nobody will.

*

I ask for nothing - I can get by, but I know so many, less lucky than I.

God help the outcasts, the poor and down-trod - I thought we all were the children of God.

*

I don't know if there's a reason why some are blessed, some not.

But still the few you seem to favor - they fear us, flee us....try not to see us.

*

God help the outcasts, the tattered, the torn...seeking the answer to why they were born.

The winds of misfortune have tossed them about - You made the outcasts - don't cast them out.

Poor and unlucky - the weak and the odd - I thought we all were the children of God...."

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Like each of the other important stories told within this outstanding Christmas compilation, God Help the Outcasts sheds light for us, the listener, on a new piece of the big-picture, as the children of God. A well-rounded set of lessons have been shared with us throughout the entire offering. What an awesome gift we've been given!

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You will enjoy God Help The Outcasts, I assure you. It's a heart rendering lyric, so engagingly done by Frank - and so resplendently orchestrated by Palma. Outcasts and others alike - it's true....we all are the children of God!

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A staple on my Christmastime movie list is the 1954 classic, WHITE CHRISTMAS, with music composed by Irving Berlin. The title song is another "tried and true" Christmas song for musicians all over the world to perform during the season. In the film, the original introduction written for this song was NOT used. I first heard it when it was recorded by the Carpenters, on their very first Christmas album. Frank includes it here, as well. Such a great intro:

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"...The sun is shining, the grass is green - the orange and palm trees sway.

There's never been such a day in Beverly Hills, LA.

But, it's December the 24th....and I'm longing to be up North...."

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A bit of trivia about the movie, if you will indulge me. Vera Ellen, one of the "Haynes Sisters" actually sang only TWO (2) notes throughout the entire movie; just two. She sang those as the quartet exits the train after having arrived in Pine Tree, VT, where they reprise the beginning of the song "Snow." So, for the fun song she did as a duet with her on-screen "sister," Rosemary Clooney, she lip-synced the part, which was overdubbed and also sung by Rosemary Clooney. I dunno....I thought that was some cool information about this old movie that I never tire of watching, season after season. Most interesting, me thinks.

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For those of us listening to this CD, Frank and Palma combine two of the highly familiar songs of the film: White Christmas and Count Your Blessings (Instead of Sheep). Another genre - another completely different sort of feel here; and it is done impeccably, as each of the rest have been.

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"...I'm dreaming of a white Christmas, just like the ones I used to know where the treetops glisten, and children listen to hear sleigh bells in the snow..."

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Frank's most handsome, full voice so smoothly "croons" to us of his longing for a White Christmas, with an understated and lovely piano, only, accompaniment by Palma.

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As they segue into "Count Your Blessings" they keep that alluring "simplicity" of piano and vocal only; except that there isn't anything "simple" about either Frank's fabulous vocals, or Palma's beautifully woven arrangement of broken chords played so expertly behind him. Frank tells this thought provoking story beguilingly. This is such a captivating way to conclude the CD, with the classicality of piano and voice, only. BRAVO!!! Well, well done, all.

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REMEMBERING CHRISTMAS is, by far, my most favorite Christmas CD out there. My hat is off to Frank Rendo for the loving interpretations with that tremendous voice of his; to Palma Pascale for her genius at arranging, orchestrating, composing and her beautiful singing - and, last but certainly NOT least, to Fred Guarino for his accomplished "knack" at putting all of these quality pieces together, into one overall incredible package. (pictured R: Fred Guarino - L: Frank Rendo)

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As you have read, this well-crafted treasury of songs and the stories told will, beyond question, stir your heart and soul and you will find yourself filled to overflowing with Christmas love.

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Stop back by Ramblings Regarding RENDO, as I will be waxing poetic about other of Franks amazing songs - from "Inspired" and "How Can You Say No To This Man" and "SHINE." And, oh yeah.... there's MORE. I'll be writing for a time here, and these blogs are written just to help you, perhaps, gain a different perspective about the songs - give you maybe just a little more in-depth look at the inner workings of the songs, and the artists who perform/compose/play/record and arrange them.

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And...whatever you do, don't forget to order your OWN copy of this incredible CD, REMEMBERING CHRISTMAS. Order yours at CDBaby, http://www.cdbaby.com/ or by contacting Frank at frankrendo@yahoo.com.

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Merry Christmas to each of you reading through this blog - and for now, I leave you with this thought.....

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"...May I suggest the secret of Christmas is NOT the things you do at Christmastime...

But the Christmas things you do ALL YEAR THROUGH..."

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Lots of Christmas love-

~Martini

We're still Remembering Christmas

Hello fellow Frank Rendo fans.

It's not that I've "forgotten" about writing more of the wonders that comprise Frank 's Christmas CD, "Remembering Christmas" - it's just that....well.....there has been MUCH going on in all of our lives, and pieces of it involved each of us in varying ways. We've been having fun, and we have definitely made some progress in our venture, so it's all good.

Let's see.....where did I leave you regarding "Remembering Christmas?" Ah yes, at one of the pinnacles of the CD...I'd just written about the magnificent "Bethlehem Morning." This compilation simply gets better and better......and better from here, folks.

The next selection on this beautiful collection of Christmas stories, sung so lovingly, so carefully by Frank, will warm your heart just as a log fire on a cold winters night will warm you through and through. And how comforting and cozy getting in "that place" is, yes?     (pictured:  Frank Rendo)

It is a lovely song entitled "What Her Heart Remembered," with music composed by Scott Brasher, in 1991 - with lyrics by Michael Card, from Michael's album entitled "The Promise."

Musically, this song reminds me of what I would think of as a folk song. Palma begins it by playing a plucked harp. An oboe and a flute enhance the intro in a place or two, but instrumentally, it's pretty minimal, to start.

As Frank's vocals begin, it sounds to this writer that his voice is doubled, though I do not believe it really is. I think this is a "fat" vocal effect provided by the album's talented engineer, Fred Guarino. It really makes a nice big, full sound, without being overpowering.

Palma introduces a Cello and a really cool sounding English Horn, too - the "less is more" concept is used here in the instrumentation, allowing Frank's beautiful voice to tell the story with just enough of an instrument foundation beneath him.  (this photo:  Frank Rendo)

Strings are introduced on verse two, in order to add just a bit more depth and drama to the overall sound. Frank is joined by Palm in a place or two vocally, adding color and interest.

The story itself is a beautiful one about the Blessed Virgin, Mary - the mother of Jesus. I had not heard this song before hearing it here - yet I clearly see why Frank chose this one to record. Inasmuch as Frank's wonderful vocals compliment the song; the song compliments Frank's voice and style right back. A nice coupling.

We all know the story of the birth of Jesus, but this story really focuses on Mary, and seems to be more of a "back story," if you will. It begins:

"...Out in a stable yard, she sees a glow

Could it be Angel light? How would she know? Shepherds stand wondering - afraid to come in~ But this baby that's born tonight will free them all to never fear, again..."

Okay, this part of the story we sort of know, right? Here is where the more pointed story of "What Her Heart Remembered" comes into play:

"...As He lies in a cattle trough, she kneels by His side.

Sweet baby breathing, soft infant sighs...

Soft sounds of swallowing - as soft fingers part.

Marvelous memories - she pondered them and hid them in her heart..."

A beautiful way to tell this story, wouldn't you agree? Frank's innate ability to paint the picture of the story for us as he sings so "warmly" only adds to the overall beauty of the story itself. My favorite lyric is this thought provoking chorus:

"...Like a good mother would, she learned His cries.

If He'd awake with a belly ache from hunger or fright.

But, now and then, sometimes when the dark would descend-

He would weep a dark so deep - for all her love, she could not comprehend..."

         -

Okay now....take a deep breath after reading those lyrics. I love the way they depict Mary, "learning" the cries of her infant; knowing which cry meant which need should be met. Yet, sometimes the weeping was of such a deep reason, she absolutely could not comprehend it which of course, WE now have the ability to understand. So beautifully depicted by Frank ~ truly!

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In between this chorus and the next verse, the music is more full, with instruments moving this way and that, and Frank adds a bit of humming, as well. Really nice, and such a fun change-up. We hear the collection of the instruments come to a peak, and then, if you listen very closely, you can hear, suddenly, one instrument is missing - then another, until that simplistic harp/oboe combination has been attained yet once again.

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Frank repeats the chorus and with the addition of backing vocals, yet another interesting "flavor" has been added to hold our attention.

It sounds for the world that Frank is "whispering in his singing voice" so as not to awaken the sleeping Christ Child - that is, one gets that impression when listening to the end of the story. Frank has a way with being able to do that when he sings - he "portrays" so eloquently the story he is telling his listeners.

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Can you imagine being able to watch him live, in concert? I would guess, between his expressive voice and his fun, articulate, sincere and warm personality that it would be a most enjoyable experience, to be certain. It's an experience this writer intends to have for sure.....and more than once!

BRAVO! A wonderful selection, executed expertly by all! Following this lovely lullaby, we are transported to a spectacular "Broadway Musical" type Latin-styled tune, which was written originally for Bing Crosby and was performed by Bing in his 1959 movie SAY ONE FOR ME. The song was written by the ultra-talented composer, Sammy Cahn...along with Jimmy Van Huesen. The Latin-style, to me, enhances this song's sentiments of warmth and Christmas love.

Strings, along with a harp playing a high to low scale, and a flute -  all provide the intro, bringing us into the piece - and when Frank begins his vocals, he sounds rather excited to be telling us the story - as if he, himself, has just discovered "The Secret of Christmas."  (pictured: Frank Rendo)

"...It's not the glow you feel when snow appears~

It's not the Christmas cards you've sent for years~

It's not the joyful sound when sleigh bells ring~ Or the merry sounds children sing...."

  -

The sleigh bells come in exactly on cue, but played very subtly in the background - and Palma adds the oboe and she reintroduces the flute to a nice effect. Claves are also heard in the mix, giving the song a nice, relaxing rhythm. And, though all of this fun is going on behind him, it's Frank's VOICE that is predominant as he sings so smoothly. 

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"...The little gift you send on Christmas Day~

Can not bring back the friend you turned away! So may I suggest The Secret of Christmas ~ is NOT the things you do at Christmastime...But the Christmas things you do~~~all year through..." And NOW, the build! As Frank began the second verse, there was a build that started, and was augmented as the verse continued. Here, it seems as if we're watching Frank on the stage, all alone, telling his audience the "secret" he has recently discovered.  (pictured:  Frank Rendo & Palma Pascale)

The fanfare that occurs in the music is so engaging with the trills of the flute (or perhaps it's a piccolo), the ritard and the piano, harp, and the strings. It's a fun few measures that leads into our final piece of the story being relayed to us - that being a repeat of the chorus, but with more fervor and flourish than previously. That build I spoke of intensifies during the instrumental break, and leading into the modulation which occurs before Frank repeats the last chorus. I love how Palma takes the song out, just as she brought it in. It makes us know we've gone the full circle with this one.

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Once more, it becomes discernible that Frank has such marvelous control of his voice - and he is always on key - never a flat or sharp note - whether he is crooning softly, or he's belting it out - he does it........so fabulously!

Moving on, (though one can't imagine how, possibly, this trio of talent can go yet another interesting step to entertain us even more, as well as to inspire us and fill us with hope and wonder - they somehow manage to do just that)! And, with the flair we have come to recognize from Frank's masterful vocal interpretations; Palma's arrangements and the execution of her orchestral expertise; and the magic that Fred creates with his know-how and mastery of not only the technical aspect, but drawing from his own musical proficiency, as well.  (Pictured:  Palma Pascale)

THE PRAYER is an exceptional composition, written by renowned composer Carole Bayer Sager, along with David Foster. This song won a Golden Globe and was Oscar nominated as well. Sung as a duet by celebrated artists such as Celine Dion and Josh Groban, THE PRAYER is just that....a prayer, which for us, here, is eloquently done by both Frank and Palma. Opening with a luscious string ensemble, this brief 6 measure intro ends on a suspended chord that is "knock-your-socks-off" gorgeous! I just love the resolution of a suspended chord. It's like an "amen" at the end of a prayer. (sorry, no puns intended). Palma softly begins:

  -

"...I pray You'll be our eyes ~ and watch us where we go. And help us to be wise in times when we don't know.

Let this be our prayer, when we lose our way.                                    

Lead us to a place ~ guide us with Your grace,

To a place where we'll be safe..."        (Pictured:  Frank Rendo)

  -

Accompanying this delicate vocal delivery are a bed of strings, enhanced with a bit of oboe, some "Rhodes" sounding electric piano, and a sprinkling of flute here and there. Frank adds the following:

  -

"...I pray we'll find Your light ~ and hold it in our hearts.

When stars go out each night ~ remind us where You are. Let this be our prayer when shadows fill our days.

Help us find a place (Palm sings) Guide us with Your grace~

(together) Give us faith, so we'll be safe..." It is sometimes difficult to describe something as straightforward and uncomplicated as these two verses are, yet they are sung in such a compelling fashion, it almost takes one's breath away. They continue together with the bridge, as the intensity ratchets-up a degree or two:

  -

"...A world where pain and sorrow will be ended

And every heart that's broken will be mended.

And we'll remember, we are all God's children

Reaching out to touch you - reaching to the sky..."

  -

The chilling crescendo occurs on the word "remember" and is punctuated with the dynamic roll and crash of a cymbal and the note, held to accentuate the lyric on the word "all." By the time they get to "reaching to the sky" where there has been a bit of a dramatic ritard, the level is quite intense. And....there's that suspension again - only this time, (it occurs on the word, "sky") it doesn't get resolved - leading us into what I will call the second bridge - where they both are now singing with a fervor! They echo each other, as they sing:

  -

"...We ask that life be kind ~ and watch us from above

We hope each soul will find another soul to love.

Let this be our prayer ~ just like every child

Help us find a place ~ guide us with Your grace ~

Give us faith, so we'll be safe..."

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Here, on this tag, the excitement level is at a fever-pitch...on the following line "Help us find a place ~ guide us with your grace..." there is a tympani and cymbal roll/crash on that held-out note (grace) ~ and then, softly, pleadingly and slowly, The Prayer concludes:

  -

"...Give us faith, so we'll be safe..."

  -

The last chord changes, those sung in harmony throughout the word "safe" are truly heaven blessed. This song has that "chill factor" ~~ you know the one ~~ when you are SO moved ~ and the music is SO beautiful that it literally sends a chill throughout you? This captivating ballad will most certainly create it....very quickly. BRAVO and KUDOS to all!! Can I take just a second here to brag on Fred Guarino? Boy - he is the true unsung hero in this whole thing. He is the guy, content to be "behind the scenes" making things happen, as he has his finger on the pulse of the operation. Fred listens to volume levels, and he mixes (and so, so well, I might add), he fades voices and instruments just at the right time; he provides reverb or other vocal enhancing effects; he provides digital enhancements to the music as well, if/when necessary and so incredibly much more. It's an "art" that not many people know how to really recognize, but I can tell you, there's never a dull moment in Fred's working world. This man is mega-talented, and he knows how to suggest and implement the correct compliments to the overall composition. He knows the language of the musician, not just the technical jargon. Besides that, Fred is just a great person - fun to be around, generous, incredibly smart and humble. He's got lots of energy, and he has done and seen a lot in the almost 30 years he's been in this business. Outstanding work you do, Fred. Just brilliant!

   -

I will be back with more Remembering Christmas, and soon. Gosh - the season is here again....already! It's okay with me - I know The Secret of Christmas; The Prayer is in my heart, and I've learned just What Her Heart Remembered. I'm good to go, as they say.        (Pictured:  Fred Guarino) Until my next installment then,

I wish you all the very best musically, And the best for this beautiful season of Christmas,

 -

~Martini

~Inspired~ ... and you will be, too!

INSPIRED - Songs from Broadway and Film Hi all, Martini here taking a bit of a break from Remembering Christmas - in order to give you a glimpse of the new and beautiful CD by recording artist Frank Rendo with songs from Broadway and Film that will INSPIRE you at every listen. This CD was arranged and Frank was accompanied by the talented Palma Pascale on piano(http://www.palmapascale.com/), with color added on half the collection by harmonica musician Warren Bee. ~Inspired~ is Produced by recording experts Fred Guarino & Palma Pascale, with Frank Rendo as Executive Producer. ~Inspired~ was recorded live at Tiki Studios, Glen Cove, Long Island NY (http://www.tikirecording.com/) from June 3-30th, and was Engineered and Mastered with TLC by Fred Guarino. To quote the liner notes, this is "a collection of inspirational songs from unexpected sources...Broadway & Film, by such composers as Rodgers & Hammerstein, Lerner & Lane, Charnin & Strause, Stephen Sondheim, Leonard Bernstein, Harold Arlen, Johnny Mercer, E.Y. Harburg, Andrew Lloyd Webber and Lionel Bart, to name a few." You can order your own copy of ~Inspired~ by contacting Frank at FrankRendo@yahoo.com and you will want your copy right away. Order yours soon. Imagine yourself listening to the smooth, beautiful, rich and powerful voice of Frank Rendo, (who so enjoys "inspiring" people and giving them "hope" whenever he can) - so what a wonderful vehicle this is for Frank. With songs like the popular favorite "Over The Rainbow" from the classic motion picture The Wizard of Oz, the truly inspiring "Climb Every Mountain" that was done in The Sound of Music, "Who Will Buy" from the fantastic Oliver, to Man of LaMancha's "The Impossible Dream" Frank really tells some wonderful stories and as always, he does it so incredibly well. It's really a beautiful compilation with Palma's always well executed arrangements, and Warren Bee adds some awfully nice touches with his harmonica work. It's nice that this compilation was done with just piano, harmonica in places, and vocals.....a definite change of pace, and a real pleasure to just sit and listen to. Of course, it's Frank's voice that tells the stories of these songs, and each and every one will truly inspire you with peace, hope and love and in such a "familiar" way. You will enjoy ~Inspired~, I guarantee it! Get your copy today! Until next time , I wish you all the best musically, ~Martini

And I sang on the CD, as well!

Hi everyone....can't blame you if you're confused. I'll try to explain.

(pictured: Tim San Paolo @ Tiki Recording Studios)

The next song on Frank Rendo's wonderful CD is the compilation's title song, Remembering Christmas. This sweet tune was written by composer and multi-talent, Palma Pascale, who also arranged and conducted this CD. Palma actually penned this song as one of 23 songs that comprise her Broadway Musical, WHAT THE HELL, NELL! I was quite surprised as well as pleased that Frank was using this tune...and was, in fact, using it as the title song for his Christmas CD. For a time, even though I recognized the title of the tune - it was so familiar, yet I had a hard time assimilating that this was the same song that Palma had written for the musical! It actually wasn't until after I was asked to participate in this recording that I finally had that duh! moment...and was, at last, able to put two and two together, and correctly come up with four! (pictured: Tim and Ann San Paolo and Fred Guarino).

My wife, Ann and I were planning a long-weekend trip to Glen Cove, New York, last October when the polishing touches were being put on Remembering Christmas at TIKI Recording Studios. The day before we left for Long Island, I got an email from Frank who asked me if I would sing with a few others on a bit of Remembering Christmas. Well...... YES!!! I was absolutely delighted. I very much enjoyed my two-line addition to this song, and will always be grateful to Frank for asking me to be a part of his beautiful Christmas CD (which I'd known about and followed the progress of for over a year at that point). I knew this album would be a real work of art, and I was not disappointed. I am also most grateful to both Palma Pascale and Fred Guarino for their part in my being asked to participate.

With Palma and Frank both having done a bit of lyric re-arranging from the musical, Remembering Christmas comes off well, used by itself as a Christmas duet with Frank and Palma. It's a nice waltz that makes us recall Christmases of our past, and it has a positive, loving spin.

"...Remembering Christmas when the family was with us

the greatest of gifts we could own.

Remembering Christmas and the spirit still lifts us

Gifts of the memories at home..."

The song begins with a duo of flutes, a bit of piano, along with some light-sounding sleigh bells - reminding this writer of falling snow. Frank's rich, full voice is somewhat animated sounding as he sings these opening lines of the song; a perfect reading, I think. Given the original context of the song, and the anticipatory feel of the lyric, I love how it ends up sounding. Palma's interpretation so compliments Franks, and the actress comes out in her during this one. She has a talent, too, for truly "acting" with her voice, and she does it well here.

Frank and Palm throw the first part of verse one back and forth to each other, and they join together to sing the last portion. I must say, the voices of these two work incredibly well, together. It's a really nice combination of harmonies - you know how sometimes two voices just don't sound good together? Not the case here. The two voices truly compliment one another.

After the intro, musically, we hear a lone clarinet enter the mix, which is a great, rather unexpected touch. Palma uses the familiar oboe to accentuate nicely and it seems to "fill up an empty corner" just here and there, perfectly. Remember her philosophy, "less is more."

By the second chorus, lovely strings and some other interesting percussion instruments are added. In one verse, a closed hi-hat might be used. In another verse, it could be the more free sound of a ride cymbal played with brushes. It just is always interesting, because there is always a surprise awaiting us. Palma uses a harp in the third chorus, but you really have to listen to know it's there. So clever.

It's on the fifth repeat of the chorus that the "family" sings, just at the modulation. The family is comprised of Dominick Avento III, Fred Guarino, Tim San Paolo, Laurie Mangano, Jackie Carey, and the two children, portrayed so well by Palma "Anne" and Frank "Anthony." Yes, I verified that the children are really the voices of Palm and Frank - and they did it quite convincingly, too. :) Just the right touch of "Christmas Magic." As we sing this last chorus, Frank and Palm do a slight ritard on the last two lines which emphasizes the phrase and makes the whole story "hit home", if you will, to the listener.

"...Always remembering Christmas when the family was with us...

The greatest of gifts we could own...

(ritard) ...Oh, they'll never leave us - They're waiting to greet us...

The gifts of the memories at home..."

Nicely done, all!

I honestly don't quite know where to begin in attempting to describe to you the absolute radiance and beauty of the version of BETHLEHEM MORNING that Palma created orchestrally, and that Frank sang so majestically. (pictured: Frank Rendo)

This is one of the "roughs" that I got to hear long before the album was completed - it was just Palma at the piano and Frank's wonderful voice. I recall thinking that Frank's singing reminded me, in a small way, of the singing of another very talented individual I like to listen to: Michael Crawford. (Michael has had a most successful stage and film career...he starred in the film version of Hello Dolly, with Barbra Streisand, as Cornelius Hackle. This is where I was first introduced to his voice). However, I have to say that honestly, in my mind, Frank's voice far surpasses that of Michael Crawford. Frank's "command" of his voice is so incredible, and he awes us in this particular hymn of praise with his interpretation of Bethlehem Morning.

So perhaps I should begin trying to describe the orchestration and then the vocal interpretation. Palma has done another brilliant job in creating the layers of sound used to accompany Frank on this gorgeous song which was made so famous by mega-superstar, Sandy Patti.

Palma begins with the simple plucked sounds of a harp, followed closely by a flute which plays a bit of melody line. Then we hear piano, which grounds the entire orchestra.

As Frank gently leads into the story, the musical score is just as gentle - continued harp and flute are used for the first half of the verse...during the second half, as the song begins its monumental build, we are treated to a glissando of the bar chimes, the lovely sound of an oboe and gradually a flute and strings are also added. By the end of the verse, and to segue into the powerful chorus, we hear these gorgeous strings, doing a trill....a chilling glissando with the bar chimes and the rolling cymbal crash, beautifully done "together". All of this, combined with the voice quality of Frank Rendo, serves to afford the listener that "chill factor" which is really powerful at this point in the song.

"...Bethlehem Morning, it's more than just a memory-

For the Child that was born there has come to set us free-

Bethlehem sunrise, I can see Him in your eyes-

For the child that was born there...His spirit never dies...."

One of the most exciting things about this song is the gradual, continual build. As Frank expertly sings the chorus, we hear the addition of a clave', a bass drum, an echoed tambourine, and a cymbal, each played only occasionally...yet their effect is just really wonderful. Also included are "vox" voices, as well as Palma's and Frank's own voices for backing vocals. Palma adds electric piano for maximum effect, as she continues to use this combination of instruments...crashing cymbals and trilling flutes and strings, to expertly accompany Frank in the majestic manner in which he is singing the story! Oofah!

At the end of this chorus, when Frank sings "...His spirit never dies..." he holds the note (on the word "dies") for 5 full measures, and just beautifully....effortlessly. It is just an exquisite moment in the song. He continues:

"His star will never...it will never grow dim~

And it's a brand new dawn - a new Jerusalem~"

All the while, the song is building its momentum. A complimentary group of voices echos Frank's vocal, leading into a grand ritard, coupled with a discerning modulation....which increases the intensity just a bit more, still. Palma adds the gonging sound of tubular chimes, a powerful glissando of the harp, all leading to the pinnacle of the song where Frank sings "...I can see Him in your eyes..." Next, a rubato, soft vocal that comes across as deeply emotional - Frank delivers:

"...For the child that was born there is the King of Kings

And the Lord of Lords

See Him split the Eastern sky..."

It is almost as if both the orchestration and the volume of Frank's vocals mirror, or bookend the beginning of the song as they take it "out." The oboe is briefly heard, and just as it began, the song ends with plucked harp and a lone flute - with the piano and an electric piano used as that anchor for the very last note.

The song is just amazing to me in its composition, in the first place. However, the manner in which these two remarkable talents have sung, arranged, and executed it, and with Fred Guarino so expertly engineering this project, well....it's beyond description how great it truly is. You will just have to hear this one for yourself, and you will be so happy that you did.

Brilliant! Simply, Brilliant!

Until Next Time, I wish you all the very, very best!

~Martini

The amazing "Joseph's Song"

"The son of God" the angel said…."How could it be?"

Hello all and welcome back! It’s time to ramble on a bit more about the extraordinary voice of Frank Rendo (pictured), and his collaboration with the unparalleled talents of Palma Pascale, all captured expertly by 5 time Grammy nominated engineer and owner of TIKI Recording Studios in Glen Cove, NY: Fred Guarino.

This is the next song on the CD and it has to be my very favorite – it’s not the most elaborately orchestrated song – quite the opposite is true, actually. Yet, I find Palm’s “less is more” concept working nicely here as it comes into play in this standout beauty entitled “Joseph’s Song.” (pictured: Pascale/Guarino)

This enchanting selection, (which gives us, the listener, a prospective, for a change, from the mind of Joseph, the earthly father of Jesus, who asks the question repeatedly; “How could it be?”), begins with a tasteful solo piano intro. A cello is quickly introduced to embellish the melody line, and before these 8 bars of intro are through, Palma effectively adds a host of strings, and then drops back to piano only, once again, as Frank enters with that impressive voice of his, to, for the first time, ask the question on the mind of the carpenter:

“…How could it be, this baby in my arms sleeping now, so peacefully-
The Son of God, the angel said…..How could it be?...”

Frank’s voice inflects the question being asked – that is, he sounds to be imploring the answer to his questions…he makes this phrase sound as though he is incredulous at the very thought that this baby, this sleeping child that he is holding is, in reality, the son of God! It’s remarkably done! The song continues:

“…Lord, I know He’s not my own – not of my flesh – not of my bone.
Still Father, let this baby be….son of my love…”

As Frank begins the vocal on “Lord, I know” we hear that “celestial tinkling” of the bar-chimes used to musically launch gracefully into the verse. Frank is artfully accompanied here by Palma at the grand piano, as well as an orchestra of strings, including that solo cello, and an oboe is used, though sparingly, to add that little bit extra spark of interest and beauty to the song at this point.

As Frank goes into the chorus, the music swells with him as he sings:

“…Father, show me where I fit into this plan of Yours…
How can a man be father to the Son of God?
Lord, for all my life I’ve been a simple carpenter-
How can I raise a King?... How can I raise a King?…”

The writer of this touching Christmas composition’s lyric, Michael Card, made it clear that his take on the story was that nobody was more overwhelmed than this “simple carpenter” Joseph, was about the arrangements made by God. It is especially clear in the lines “How can a “man” be father to the Son of God” and again in the repeated question, “How could it be?” Joseph himself is just dubious that he is to fill the role of father to the son of God, as any “man” would, undoubtedly be, wouldn’t you guess?

Frank & Palma in vocal booth
This skepticism of Joseph’s is easily reflected in the voice of Frank Rendo. So many emotions are heard through this man’s stunningly beautiful voice as he asks these questions of God. The richness and fullness never leaves Frank’s voice – the depth of it remains, yet it’s tenuous-sounding at the same time, giving us the idea of confusion, doubt and disbelief, all rolled-up into this truly amazing vocal instrument.

And, of course, Frank’s questions are augmented by the lovely simplicity, yet intricacy of the accompaniment, so aptly provided by Ms. Pascale. There are too many little subtleties to describe, but I can tell you that the listener is overwhelmed by the story being told, both by the vocalist and the instrumentalist.

The next verse is so poignant, and again, the emotions of it are conveyed so completely by Frank’s interpretation as he sings:

“…He looks so small…His face and hands so fair---
And when He cries, the sun just seems to disappear.
But, when He laughs, it shines again….how could it be?...”

The orchestra and the voices, now complete with beautiful three-part harmony, increases the intensity level that discerning notch, and it is, simply, lovely. The rolling cymbal crashes add a depth and energy that, coupled with everything else, will send that familiar “chill” down your spine, for sure, as Frank repeats:

“…Father, show me where I fit into this plan of Yours…
How can a man be father to the Son of God?
Lord, for all my life I’ve been a simple carpenter-
How can I raise a King? How can I raise a King?…”

To this writer's mind, this is more than just a song – it’s a prayer, and one that is exceptionally told by Frank.

As an aside: I gravitated toward this selection almost immediately, and I knew I wanted to do it for my church congregation – I wanted to tell this wonderful story from the perspective of Joseph. I had never heard this Christmas tune before I heard Frank do it on REMEMBERING CHRISTMAS.

There was only one service where there was room to “work-in” this song, since REMEMBERING CHRISTMAS came out rather late in the season of 2007. Therefore, I listened very carefully, over and over……and over again to the beautiful accompaniment of piano and orchestra, and with little time to use, I made a track; imitating as much of Palma’s work as I was capable of. Next, I listened to Frank’s interpretation of this outstanding song, and, after lowering it ½ step, I finally felt that I was as comfortable with it as I was going to be and I sang it at the Christmas Eve candle lighting service – and there was NOT a dry eye in the house when it was over. NO…it didn’t come out as I had intended, because, you see, MY own father, who died in 1991.......... was a simple carpenter. That evening, three of my nieces, who do not normally attend the church where I direct the music, showed-up to celebrate with me. And, as I began singing this song, I became overwhelmed with a staggering emotion. The earthly father of the son of God, too, was a “simple carpenter” just like my own father was who, of course, I miss very much. This thought hadn’t occurred to me until I this very night. I looked up at my nieces, just as I sang the words “…He looks so small….His face and hands so fair…” and at that moment, I thought I wouldn’t be able to finish. Yet, the grace of God kicked-in, and the Holy Spirit led me to a much softer, partially-sung, partially spoken version….and though I’m not so sure I did Frank or Palma proud by my rendition this night, the congregation definitely connected with the beauty of the music, and of the story, which was, after all, the reason I wanted to offer them this selection. They definitely “got it,” I could tell. Before the season comes around again, I will take my time and attempt a closer reproduction of Palma’s orchestration so that I can do it again this year, and ask that question that was so amazingly captured by these three wonderfully talented individuals from New York….."How could it be?..."

Until next time, I wish you all my very best,

~Martini

ABOUT THE MUSIC OF ARTIST FRANK RENDO

Hello everybody - it's me ~Martini!

Wow, am I ever excited to be bringing you a brand new blog, all about the musical wonder that is Frank Rendo.

Long Island resident Frank Rendo has the ability to tell quite a story through his most appealing, beautiful voice. He enjoys a solo career, including album projects as well as numerous concert appearances. His solo album "How Can You Say No to This Man?" has been a big seller, and has received rave reviews. Recently remastered by Fred Guarino, master recording engineer and owner of TIKI recording studios in Glen Cove, Long Island ~ "How Can You Say No To This Man" is now available in CD.

CMU magazine said "Hearing Frank Rendo sing is an experience you don't want to miss. His voice is vibrant with power and professionalism. He is definitely live concert material. "

Frank's CD "SHINE" was released in early 2004, and continues to sell very well today. Frank has made several guest appearances on TBN's "Praise the Lord" broadcasts, and he is seen regularly performing at Long Island's premiere Christian Café, "Samantha's Li'l Bit of Heaven" where he enjoys a regular "first Saturday of the month" ministry evening where many faithful come regularly to hear him perform. He is also co-host of the Li'l Bit of Heaven TV Show, which premiered in September, 2007. [information obtained from Frank's promotional material).

For "REMEMBERING CHRISTMAS", Frank collaborates with composer, arranger, singer and multi-instrumentalist extraordinnaire (and my lovely friend), Palma Pascale. Frank is the CD's executive producer, together with album producers Palma Pascale and another good friend, Fred Guarino, who is chief engineer of the album; together these three have spun a CD full of magic, to be sure.

Some of the melodies on this CD include a Palma Pascale original entitled "Much Less Than Christmas" – a beautiful, yet achingly sad story of love at the holidays; "We Wish You The Merriest" ~ a straight-ahead jazz influenced Les Brown gem; Morris Chapman's "Bethlehem Morning" (made highly popular by Gospel Music's Leading Lady, Sandi Patty) which is breathtakingly done by Frank; and the title song, another of Palma's originals, "Remembering Christmas."

It occurs to me that you will want to be sure you have all three CD's by Frank Rendo in order to listen to him the year through - and I'm certain you will want to add "REMEMBERING CHRISTMAS" to your catalogue of Christmas music that you will enjoy year after year! Lucky for you, then, that you can find each of these CD's by going to http://www.cdbaby.com/. Get yours TODAY!

Here, now, is the start of this blog, and the first of what promises to be many from me.

FRANK RENDO’S REMEMBERING CHRISTMAS ~Thoughts and information about the songs, and the artists who created the beauty~

By: Timothy J. San Paolo

“…Oh, we need a little Christmas, right this very minute – Candles in the window, carols at the spinet! Yes, we need a little Christmas, right this very minute – we need a little Christmas, now…!” These lyrics begin Frank Rendo’s delightful new Christmas CD, REMEMBERING CHRISTMAS. Throughout the collection, Frank reminds us of the true meaning of Christmas, and about how to appropriately remember the holy day; plus we are treated to some wonderful, touching stories as the CD progresses – about the Christ Child, His father the carpenter, and of Mary, His mother. We hear a beautiful but sad Christmas love song, and learn of that awesome Bethlehem Morning, as well as the velvety richness of that Holy Night. A prayer and a wish later, and we find ourselves dreaming of a White Christmas and naturally, counting our many blessings! I got pretty excited two summers ago (summer of 2006) when I learned of the talents of Frank Rendo. I had heard some really good things about Frank’s talent as his “partner” in this endeavor, the amazingly talented Palma Pascale, told me that she was working with Frank on some Christmas tunes for an album that he hoped to do. I loved the fact that Rendo was a good Italian name - just like Pascale, Guarnio and San Paolo. Hmmmm..... My curiosity got the better of me, then – wanting to know more – so I “Googled” Frank to find out a bit more of his musical background. I was amazed at all of the information about this mega talented artist I was able to find. His bio info is quite impressive. Frank has been performing for a good number of years, and he has built quite a positive reputation for himself there in Long Island, as his ministry through music has not gone unnoticed by the masses. Frank has secured a regular evening once a month, performing at a spot called Samantha’s Lil’ Bit of Heaven, and he has traveled abroad, singing the praises of God. He was mentioned in several websites, and the reviews of his music were most glowing, and well deserved. I got to hear one of the first-draft “roughs” of this recording in November of 2006 which was just Palma at the piano, and Frank singing a vocal guide track from which to build the orchestra and backing vocals. The rough, in and of itself was beautiful and ambitious, I thought, certainly. I recall Palma telling me “Just wait until you hear the voice of Frank Rendo. It will make you cry, for sure.” Palm knows me pretty well, and she was absolutely right about my reaction. Tears! Well, after all, it was gorgeous!!! And now, my goodness folks, things have drastically changed from that first recording – and are you, the listener, in for the treat of your lives. As the time has passed since this album got started, I, myself, have been privileged to meet Frank, and in my estimation, we became fast friends. Meeting Frank came from my association and friendship with composer Palma Pascale, and Fred Guarino, owner of TIKI Recording Studios, who engineered, mixed and sang on the project. Frank, himself, is as genuine as his voice. It is, indeed, obvious that Palma and Frank have created a masterpiece of Christmas music with this wonderful collection of not-so-typically recorded selections by other artists. That's one of the things I particularly appreciate about REMEMBERING CHRISTMAS – it is set apart from the “normal” sort of new Christmas album, if you will, by the very fact that it is NOT a predictable Christmas CD. I applaud Frank for his choices of music. The CD opens with a favorite number of mine from the 1966 Broadway production as well as the 1974 motion picture musical; Jerry Herman’s “MAME.” The song, of course – “We Need a Little Christmas.” A lovely rubato piano begins this intro, which is soon augmented by a solo flute, and then joined with a garden of opulent strings and the delicate plucking of a harp. Frank begins with a sort of almost “pleading” sounding vocal…I especially like the end of this intro where he sings “…Yes, we need a little Christmas, right this very minute…..we need a little Christmas [chuckles]…..now…!” It’s effective and just plain fun. From here, the tune is a super, light-hearted, cheerful tune about a favorite holiday that seems to inevitably lift our spirits – so even though it may NOT be the actual day of Christmas; well, it just doesn’t matter – it’s that feeling we need – it’s that beauty we seek – “…we need a little Christmas, right this very minute…” The tempo of the song is a “march-styled” feel that is… certainly… uplifting! Palma’s expert touch at the keyboard is evident here in this fast-paced number with many varied runs and modulations. I remember her telling me about this song, and saying she “really wants to do a good job for Frank.” Well, Ms. Pascale – as I said then, and I repeat again, I had no doubt you would……and yes, you most assuredly did! Frank’s vocal is spot-on and the backing vocals sung by both Frank and Palm add just the right touch of additional interest to this medium-tempo-ed opener. There is a little clarinet that dances in and out of this one, and I get a huge smile every single time I hear it. There are bells (think glockenspiel), and flutes and sforzando cymbal crashes – there are piccolo trills and not least of all, there are the clip-clop sounds of horses hooves on the move, which is the proverbial “icing on the cake” if you will. It’s such a fun song, moving from its rubato beginning to its fast paced, clip-clopping ending and I give a big BRAVO! to both artists. The second selection on the CD is entitled “In The Bleak Midwinter.” Christina Rossetti, the former Poet, penned the words to this pretty ballad. She wrote these words in response to a request from the magazine, Scribner’s Monthly, who wanted a Christmas Poem from her. Gustav T. Holst wrote the music. Musically, the song begins with the plucking of a harp, followed closely by a lone string, and a clarinet melody line. The harp’s chords are not full standard I, III, V chords; seems the III is missing, making the perfect sound for this Bleak Midwinter’s setting. (Go figure that the accompaniment can actually be made to sound like the title of the song. That is…if you are an arranger who really knows what you’re doing)!! Frank so beautifully starts this ballad by singing “In The Bleak Midwinter, frosty wind made moan…” which is followed by the interjection of a few notes on the flute, which quite sounded like “frosty wind” to this writer. It’s the little nuances that fascinate me so. After the first verse, the intensity of the song increases with the additional of strings and the rolling crashing of cymbals and a most beautiful modulation occurs. As the verse progresses, the sounds of plucking strings and celestial “tinkling” sounds here and there. An instrumental interlude with full, rich strings and “vox voices” that effect a second modulation leads Frank into the final verse, which is sung so strongly, yet sweetly, and oh-so-smoothly. I have to stop here, and just “try” to tell you about Frank’s voice. His voice is brilliant – so clear – so incredibly strong, yet he can sing quite softly and he has such a command of that handsome voice. That’s the thing – he has command of his voice – Frank seems to “act” with his voice – as it truly can tell a story just in the way in which he sings a lyric. I hear laughter…unbelievable sorrow…peace…melancholy…. enthusiasm – and Frank can somehow make you feel each feeling by the command he has of his voice. As someone who has been singing himself for over 30 years, one thing this writer tended to fight time and time again is reaching the high notes with enough breath support to actually get them out, and have them sounding strong. Frank has NO difficulty with this. It seems to be effortless, his innate ability to so easily reach those higher notes with such clarity and strength and with such a full, rich sound.

Frank sings from his heart - his great big, generous heart. It's no wonder, then, why he can touch you right down to your very soul, eh? Truly, God has blessed this man with a gift beyond description.

So that's all for this writing. I hope you will come back and visit...leave your comments, and be sure you stop by CD Baby (http://www.cdbaby.com/) and get your Frank Rendo CD's.

Until next time, I wish you all the best,

~Martini